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Willy Ørskov’s Pneumatic Sculptures
Willy Ørskov’s Pneumatic Sculptures
Inflatable and Unstable Art
This article examines Willy Ørskov's pneumatic sculptures from the 1960s and 1970s through the lens of Gilles Deleuze's concept of the time-image. The article argues that the sculptures possess an inherent temporality, potentially granting the viewer an experience of time as a transformative force rather than as an instrument of regulation.
by Philip Pihl / Published November 2024
About Perspective
Perspective is a peer-reviewed journal dedicated to research that is of relevance to Danish art. The articles will primarily address art found at Danish museums, and will present research on theory, method or museology based on Danish museum practices.