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Willy Ørskov’s Pneumatic Sculptures
Inflatable and Unstable Art

This article examines Willy Ørskov's pneumatic sculptures from the 1960s and 1970s through the lens of Gilles Deleuze's concept of the time-image. The article argues that the sculptures possess an inherent temporality, potentially granting the viewer an experience of time as a transformative force rather than as an instrument of regulation.

About Perspective


Perspective is a peer-reviewed journal dedicated to research that is of relevance to Danish art. The articles will primarily address art found at Danish museums, and will present research on theory, method or museology based on Danish museum practices.

Latest articles